Tiêu đề: Re: Phòng Spam Số 1 - Chào mừng rum đc lập !
Tiêu đề: Phòng Spam Số 1 - Chào mừng rum đc lập !
*ôm* em giống ss ghê, vừa rồi cx bị mẹ giáo huấn vì cứ làm trạch nữ ở nhà suốt, lại lầm lì ít ns nữa, ns chung chung là chê trách cách ứng xử của ss~ ss bị mắng n lắm rồi nhưng vẫn k chai đc, vẫn tức lắm í =w= Dạo này đc lên mạng n nên tâm tình cx thả lỏng 1 chút, vừa nãy lại bị một trận chửi, buồn
[Thành viên] - Mukuhiba-6918 - Daughter of the Nile
Tiêu đề: Re: Phòng Spam Số 1 - Chào mừng rum đc lập !
Tiêu đề: Phòng Spam Số 1 - Chào mừng rum đc lập !
SS với e là thuộc thể loại lầm lì ít nói *trừ với ng` hợp* nhể. Nhiều lúc nhìn thấy con bạn thân mún nói chuyện mà nó bơ, xong nó lại thế này thế nọ thế chai, e ức chế lắm ý, mún kết thúc luôn, ko làm bạn bè nữa nhưng mà cũng ko nỡ. Cuối cùng là chả bik làm j, chỉ bik tự kỉ một mình =3= đau cả đầu =3= E ko giỏi ứng xử =3=
[Thành viên] - Midorikawa Yoi - Giáo viên thực tập
Tiêu đề: Re: Phòng Spam Số 1 - Chào mừng rum đc lập !
Tiêu đề: Phòng Spam Số 1 - Chào mừng rum đc lập !
@Kim : Ok, bà làm nửa dưới nhá Style In general, Ohkawa gets her inspiration for the group from everyday events such as dreams or the news.[15] Unlike most manga artistswho specialize in a single genre, Clamp has created a diverse body of work.[14] Clamp's genres vary widely, from childish and comedic (Cardcaptor Sakura, Clamp School Detectives) to much more dramatic and teen-rated (xxxHolic, X) series. Furthermore, drawing from the idea of Osamu Tezuka's Star System as they did in Tsubasa: Reservoir Chronicle,[16] Clamp often reuses characters from their own earlier works, which gives rise to a loosely defined "Clamp Universe".[17] Art The current members of Clamp took art-focused classes during their high school. However, Tsubaki Nekoi feels that, aside from basic art skills, drawing manga requires a different skill set; however, since none of the group have worked as assistants for already established manga artists, most of their ability is self-taught.[15] Clamp's manga is distinguished by its diverse visual styles.[14] Clamp's art changes frequently depending on the primary artist of a given project and the target audience; however, most of their works have characters with highly detailed hair, heavily stylized eyes and human figures, and elaborate clothing.[citation needed] In addition, sweeping curved lines are common in many of their shōjomanga.[citation needed]Clover is remarkable for its heavy use of negative space.[18] Themes Many Clamp works span a wide variety of themes. As oppose to keeping consistent themes across their works or having individual themes for each work, Nanase Ohakawa stated "we come up with a new theme for each story. One thing to say each time". Their works often deal with the theme of human fate that relates to Ohkawa's view on life; Ohkawa believes that "fate is something you choose", not a "mystical force manipulating your destiny" such that with determination and resolve, "you can change your fate".[19] The idea that all events are inevitable due to past decisions (hitsuzen) as in Card Captor Sakura, Tsubasa Chronicle, and xxxHolic, and the idea that humans choose their destiny through their own efforts.[citation needed] Also common is the idea of soulmates, or couples tied together by fate. Clamp also explores the idea of chaste or pure love (as in the manga Chobits).[citation needed] Clamp's disregard for sex or gender (or at times biological age) in these couples has led them to write normal homosexual couples into many of their manga in contrast to many other manga artists (for example, Touya and Yukito in Card Captor Sakura). A number of such couples have been shown together across parallel dimensions in the Clamp multiverse. Although Clamp often writes romantic works, Ohkawa has mentioned that she feels that it is more putting one's life on the line than love that causes women to grow or change.[15] However Clamp never features love as a central theme, because Ohkawa state in an interview with Takeshi Oshiguchi in 1997 for Animerica that she is not "good at love stories" since her "idea of a relationship is different from that of a lot of other people."[19] Perhaps drawing inspiration from Ohkawa's own poor right-eye vision, Clamp frequently features one-eyed characters or characters that lose their sight in one eye as means to express the feeling of loneliness. However, there is always something later on that comes to supplement the loss in vision.[15]
Reception and awards Mystery has surrounded the members of Clamp as, in order to avoid being harassed by overzealous fans, they avoid making public appearances.[9] In polls conducted by marketing research firm Oricon, Clamp was elected ninth most popular manga artist from Japan in 2007, while they were eighth in 2008, sharing the spot with Fujiko F. Fujio.[20][21] Gen Fukunaga, the president and CEO of Funimation, has praised Clamp as being "one of the most acclaimed groups of artists in Japan."[12] According to Charles Solomon, a journalist for The New York Times, Clamp "ranks among the most successful creators of manga ... in Japan and the United States." Dallas Middaugh, associate publisher of Del Rey Manga, stated that Clamp was an integral part of "manga explosion" that has been occurring in the United States over the past few years. He also praised the group's artwork and storytelling style as having "struck a strong chord with male and female manga readers."[14] The group was placed third after the winner for the Shogakukan Manga Award in the Children's category in 1999.[22] Their work Cardcaptor Sakura won the Seiun Award for best manga in 2001.[23] Almost 100 million Clamp tankōbon copies have been sold worldwide as of October 2007.[1] Various of their selling series include xxxHolic and Tsubasa: Reservoir Chronicle that have sold over eleven million and twenty million volumes, respectively.[24][25] When asked about the universal popularity of Clamp's works, John Oppliger of AnimeNation stated that although it is "not based on originality [or] their artistic skill", they possess a distinct style that "perfectly mesh[es] the conventional attributes of shōnen and shōjo manga". He also pointed out that Clamp often "recycles" characters from their own earlier works, which gave rise to "a loosely defined 'Clamp Universe' that gives much of their work a unifying tone", and creates "absorbing, complex narratives that appeal to both male and female readers". All these factors result in "a cult following devoted to anything and everything the group publishes".[17]The Anime Encyclopedia authors stated that "whatever Clamp are on, we'd like some".[26]
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